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... The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists, prominent in Europe from its formation in 1957 to its dissolution in 1972.. (As happens during wartime.

But the dérive includes both this letting go and its necessary contradiction: the domination of psychogeographical variations by the knowledge and calculation of their possibilities. published 2006, avg rating 4.06 — 20 ratings — This provoked an immediate outcry in the local, national and international media. By definition, psychogeography combines subjective and objective knowledge and studies. It may take up to 1-5 minutes before you receive it. 1,345 ratings — Around this time also, groups such as Reclaim the Streets and Adbusters have, respectively, seen themselves as "creating situations" or practicing detournement on advertisements.

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Gruppe SPUR, a German artistic collective, collaborated with the Situationist International on projects beginning in 1959, continuing until the group officially joined the SI in 1961. published 2015, avg rating 0.0 — While it outlined the Situationist International's formation it introduced key concepts without elaborating on them too far.

This stance was reaffirmed very clearly in a discussion on "To what extent is the SI a political movement? published 2001, avg rating 5.00 —

", which concluded: "The footlights have melted the make-up of the supposedly brilliant mime.

Two excursions organized by Andre Breton serve as the closest cultural precedents to the dérive.

)”, avg rating 4.02 — The production of commodities is an end to itself; and production by way of survival.

[36], The Situationists played a preponderant role in the May 1968 uprisings,[37] and to some extent their political perspective and ideas fueled such crisis,[37][38][39] providing a central theoretic foundation.

The file will be sent to your email address. Although the words récupérer and récupération have been a feature of the French language for centuries, the Situationists gave them a specific meaning, which, as linguists note, first emerged in common usage in the 1960s: ‘to reconcile, to assimilate (a political adversary, an ideology, public opinion), most often in a deceptive or abusive manner’, ‘to neutralise an individual or group that possesses oppositional, differing or, sometimes, contestatory goals by bringing them around to your own objectives’.¹ It was a way of speaking that became very widespread after the ‘events’ of May ’ 68. Existing officially between 1957 and 1972, the SI developed an intransigent and uncompromising critique of contemporary everyday life. the IS was to attempt an analysis of the modern world from the point of view of everyday life. [37], The concept of revolution created by the Situationist International was anti-capitalist,[83][84][85] Marxist, Young Hegelian,[37] and from the very beginning in the 1950s, remarkably differently from the established Left, anti-Stalinist and against all repressive regimes. The first major split was the exclusion of Gruppe SPUR, the German section, from the SI on 10 February 1962. [5] In The Society of the Spectacle, Debord asserted that ideology was "the abstract will to universality and the illusion thereof" which was "legitimated in modern society by universal abstraction and by the effective dictatorship of illusion".[6]. published 1967, avg rating 4.18 — Go home Mister Chaplin. Goodreads helps you keep track of books you want to read.

Answer: "Come suggeriva Debord: con pratiche di vita alternative. [1] Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism.

We think he should look again at these sentences (which conclude some thirty pages of discussion of the SI's place in modern art), and ask himself whether they are not lofty, contemptuous, and dismissive. Log in to your personal account or through your institution.

5 ratings — [2] The situationists maintained a philosophical opposition to all ideologies, conceiving of them as abstract superstructures ultimately serving only to justify the economic base of a given society; accordingly, they rejected "situationism" as an absurd and self-contradictory concept.

(Debord wrote the book but added Sanguinetti's name as co-author.) Nel 1972, quindici anni dopo la sua fondazione ... l'Internazionale Situazionista si scioglie in quanto organizzazione.

published 1960, avg rating 4.10 — [3], During the first few years of the SI's founding, avant-garde artistic groups began collaborating with the SI and joining the organization.

Examples of this are Simon Sadler's The Situationist City,[106] and the accounts on the SI published by the New Left Review. Isidore Isou, the group’s leader, undoubtedly contributes a great deal to this view of his... My aim in this chapter is to introduce and discuss the influence of Hegelian philosophy on the Situationist International’s (SI’s) theoretical work and activity.

published 2002, avg rating 3.87 —

1 (June 1958) defined the constructed situation as "a moment of life concretely and deliberately constructed by the collective organization of a unitary ambiance and a game of events". [79] Dérive, as a previously conceptualized tactic in the French military, was "a calculated action determined by the absence of a greater locus", and "a maneuver within the enemy's field of vision". From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world.

Quotations from two key situationist books, Debord's The Society of the Spectacle (1967) and Khayati's On the Poverty of Student Life (1966), were written on the walls of Paris and several provincial cities. The SI thus were first led to distinguish the situation from the mere artistic practice of the happening, and later identified it in historical events such as the Paris Commune in which it exhibited itself as the revolutionary moment.

17 ratings — [1], The term "situationist" refers to the construction of situations, one of the early central concepts of the Situationist International; the term also refers to any individuals engaged in the construction of situations, or, more narrowly, to members of the Situationist International. (For EndNote, ProCite, Reference Manager, Zotero, Mendeley...), Introduction: The Situationist International in Critical Perspective, 1 Debord’s Reading of Marx, Lukács and Wittfogel: A Look at the Archives, 2 The Unsurpassable: Dada, Surrealism and the Situationist International, 4 The Situationists, Hegel and Hegelian Marxism in France, 5 The Situationist International and the Rediscovery of the Revolutionary Workers’ Movement, 6 The Shadow Cast by the Situationist International on May ’68, 7 The Situationists’ Anti-colonialism: An Internationalist Perspective, 8 Gender and Sexuality in the Situationist International, 9 Revolutionary Romanticism in the Twentieth Century: Surrealists and Situationists, 12 Unitary Urbanism: Three Psychogeographic Imaginaries, 14 Détournement in Language and the Visual Arts, 15 The Situationists’ Revolution of Everyday Life, 16 Radical Subjectivity: Considered in its Psychological, Economic, Political, Sexual and, Notably, Philosophical Aspects.

Romanticism is generally described in encyclopaedias and dictionaries as a nineteenth-century artistic and literary movement. The Situationist International Anthology, generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, presents a rich variety of articles from its French journal and in a variety of leaflets, pamphlets, filmscripts, leaflets, graffiti and internal documents, ranging from early experiments in "psychogeography" and cultural subversion to lucid analyses of the Watts … Derrida (2002) Q&A session at Film Forum pp. published 2013, avg rating 4.20 —

94 ratings —

practiced by its predecessor organization, the Lettrist International, the art of wandering through urban space, which they termed dérive, whose unique mood is conveyed in Debord's darkly romantic meaning of palindrome. It was received as genuine and powerful politicians, industrialists and journalists praised its content.

[3] Among some of the concepts and artistic innovations developed by the Lettrists were the lettrie, a poem reflecting pure form yet devoid of all semantic content, new syntheses of writing and visual art identified as metagraphics and hypergraphics, as well as new creative techniques in filmmaking. The breakaway group felt that his work was no longer relevant, while having appreciated it "in its own time," and asserted their belief "that the most urgent expression of freedom is the destruction of idols, especially when they claim to represent freedom," in this case, filmmaker Charlie Chaplin.[16].

[110], Debord's analysis of the spectacle has been influential among people working on television, particularly in France and Italy;[111][112] in Italy, TV programs produced by situationist intellectuals, like Antonio Ricci's Striscia la notizia, or Carlo Freccero's programming schedule for Italia 1 in the early 1990s.

L'I.S. In 1957 a few European avant-garde groups came together to form the Situationist International.

Not just the cops—the geometry".

Be the first to ask a question about Situationist International. The word "Left" ... much of the time is used descriptively, and therefore pessimistically, to indicate a set of interlocking ideological directorships stretching roughly from the statist and workerist fringes of social democracy and laborism to the para-academic journals and think tanks of latter-day Trotskyism, taking in the Stalinist and lightly post-Stalinist center along the way. Nel Rapporto di Debord si legge inoltre una durissima critica allo sfruttamento capitalistico delle masse anche nel tempo libero attraverso l'industria del divertimento che abbrutisce la gente con sottoprodotti dell'ideologia mistificata della borghesia. published 1992, avg rating 3.34 — The purpose for which advanced capitalism is organized isn't luxury, happiness, or freedom, but production. In its limited sense, spectacle means the mass media, which are "its most glaring superficial manifestation.

[64] This technique of the spectacle is sometimes called recuperation, and its counter-technique is the détournement.

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