That's good, I mean that helps us because we like talking to them. Adam: That's exactly it.
You're in the midst of finally pulling back the curtain on Baldur's Gate III.
One of the things that's liberating about working on D&D as a license is that it's a storytelling platform. Baldur’s Gate is a landmark in the role-playing genre, and in PC gaming.
Follow and engage with him on Twitter @ZakWojnar. I still think that there is indeed an audience for it, but we just need to figure out how to do it and how to do it well.
Can you give some examples of how you work together and how the relationship works? We wanted the Origin characters. To the (pleasant) surprise of many, Baldur’s Gate 3 was revealed to not only be a thing last year … What are their expectations for a computer game?
As for expansions… we’re not thinking about that now.
It's a way to tell stories. We want to tell a really cool story, and we want players to tell really cool stories.
It's part of the experience. Then I got into tabletop play much later.
Yes. In previous interviews, Swen [Vincke] has said that the goal was to innovate within the RPG genre and that Larian was taking a lot of creative risks with Baldur's Gate 3. That's the cool stuff. You saw Sven play today, and he was doing tricky and involved systemic stuff.
So, there are things happening off-screen.
I don’t think there are many other aspects that they talk about… they just want to talk to you about Edwin, they want to say like I hate his guts or I really like that guy. Is there a Baldur's Gate bible, a lore tome?
For instance, if you start talking: hey what if we bring Mind Flayers back and the player actually has a tadpole in their head. They're playing games that I play at home and I didn't have a Switch at that point. (Laughs) I played a whole bunch of the Gold Box games, which are these really old D&D games. Matt Holland: Well, there's a few things to that. The same way you can loot the weapons off of skeletons before they reanimate, you can steal Volo's potion and he's gonna have an even worse time! For me, it's always inspirational when you see other people doing good work, even if it's not in our genre.
And some of these people are still alive. Also: multiplayer. But then I want them to go talk to him, find out what was going on with him. So writing actually gets a lot of attention, also because by the time we actually approve something and it goes through voice recording and mo-capping, and lip-syncing… you start spending a lot of money.
They're very short, they're quite cryptic, but you find seeds and hints about who these people were when they were alive. That is fundamentally Baldur's Gate. What’s the story we’re going to tell? We're giving you five, more than five, but five that we show now, plus all the custom characters and we're doing cinematics for every single line of dialogue in the game. Like you said, in the end, he didn’t have any magic spells, and then you can just start throwing barrels and crates around because that’s just what you can do.
Ed: How will Baldur’s Gate 3 treat good/neutral and evil paths? We're also talking about letting [the audience] actually manipulate rolls, so your audience will be able to mess around with you a little bit. That is something that we then started implementing in all of the Divinity games and is now present in Baldur’s Gate as well because that’s a technology that we will always carry over from one project to another. It provides you a way out of a bad situation. But at the same time, it's a case of, "Hey, let's just tell really cool stories.".
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