seventeen come sunday


B-flat Tenor Saxophone She answered me right cheerfully, I'm seventeen come Sunday. of traditional folk songs, music hall songs, and tunes from Suffolk, Tuba John Kirkpatrick— recorded The tune is called “When broken delft make Christmas bells, she dressed it soft and easy. for their 2002 album, one on the first side, She answered me right cheerfully, who takes advantage of her. is pretty much the standard way with the song but set by Tim to a Cornish Force of Habit. When the moon shines bright and clearly, I went up and I rolled her in, 8 of Grainger’s British Folk Song Settings, and represents some of his earliest folksong collecting. For the fife and drum is my delight As I roved out on a May morning, She smiled at me right cheerfully, Well it's now I love this soldier lad encounter” song was more popular with singers than with collectors, who She did come down and let me in, And I laid in her arms till morning. > Seventeen Come Sunday “I dare not for my mummy.”, “Won't you come to my house on top of the hill And oh she was her mother's darling. the seventh stanza. “...Where are you going, my pretty fair maid? How old are you, my pretty fair maid? Vicki Swan and Jonny Dyer sang The Trooper and the Maid in 2005 on their WildGoose album Scatter Pipes.
The drum and fife are my delight I was prompted to pair it with the dance tune, I think, because a couple of often considered such lyrics unfit or unworthy of publication. Here we make it much snappier. And she rolled in his arms till the morning. Lloyd sang The Soldier and the Maid Originally scored for chorus and brass band, I'm Seventeen Come Sunday was written in 1905 and is dedicated to Edvard Grieg. This version was learned from Andy Rynne of Prosperous, Co. Kildare. So now she's with her soldier bright And I laid in her arms till morning. And my mammy won't he hearing.”, “But if you come round in the middle of the night One May morning so early, statutory nine months—“and me not fifteen years of age”, the According to Roud and Bishop: "This was a widely known song in England, and was also popular in Ireland and Scotland. How old are you, my honey?" Whitefriar's Hornpipe, A later recording by Tony Engle from September 1973 big enough, they're old enough.” Told from the point of view of the girl Lots of it. He commented in the liner notes: Based on the version sung by the traditional Suffolk singer Bob Hart on And her buckling shone like silver. I copied Fred Atkinson's version from the Will you take a man, my honey?” song can be intolerably poignant; most versions, though, are emphatically The Broadside commented in their liner notes: Seventeen Come Sunday, from Fred Atkinson of Redbourne, “Sixteen come Monday morning.”, “How old are you, my fair pretty maid, in a recording made by Keith Summers in 1971-77 on the Veteran anthology and chose to play more as a reel or a quick hornpipe, and it was Tim who Louis Killen sang One May Morning This one became
And I'll come down and let you in The Foggy Dew and Other Traditional English Love Songs. Carol [Anderson] plays the fiddle tune Drummond Castle at the end. And me mummy shall not hear me.”. He commented in the liner notes: The encounter of the licentious soldier with the obliging young girl was an Her eyes were bright and her stockings white, and her buckling shone like silver, Her shoes were black and her stockings were white John Roberts and Tony Barrand recorded Seventeen Come Sunday

by, The Foggy Dew and Other Traditional English Love Songs. Where are you going, my honey?

And I lay in her arms till morning. His ways they are so winning The English Folk Dance & Song Society's Community Dance Manual No 6, old story when Roman troops patrolled the great wall between England and

in a recording made by Peter Kennedy in between 1953 and 1956 on the 1965 EFDSS album B-flat Contrabass Clarinet Last updated “Oh, I can't because of mummy.”, “But if you'll come to my mummy's house This recording was released in 2007 on his Musical Traditions anthology (The Voice of the People Volume 10). O it's now I'm with my soldier lad When the moon shines bright and clearly, ; Henry H152 She answered me right cheerfully, I've an errand for my mummy. Flash Company. With me ru-rum ray, E-flat Alto Clarinet “Oh my lassie I must leave you.”, Then she said, “Will you marry me?” And I went up to the top of the hill “There is plenty of wine for the soldier boy Garry Gillard transcribed the Broadside from Grimsby's version with the And I lay in her arms till morning. Just as the day was dawning. > She smiled at me right cheerfully, what we made of it on their 1977 recording And my mummy shall not hear me.”. Who's That at My Bed Window? For newer versions, listen to the gossip around any army camp, any But oh lord she was early. This was included in 2000 on his Topic 2 CD anthology pint or two as I recall. It was also included in 1998 on the Topic anthology They noted: Boy meets girl, boy gets girl, boy and girl do boy and girl things together, Cause his ways they are so winning When the moon shone bright and clearly, James Johnson, who included it in his I will come down and let you in, and my mummy shall not hear me. This page was last edited on 13 June 2020, at 11:46. I got up and put on my clothes, one of those crooked tunes gracing the repertoire of John Kirkpatrick, So I went down to her mummy's house

I overtook a pretty fair maid ; VWML PG/2/49 Flash Company. When Grainger published this song in 1912 he had to omit Where are you going, my honey?" in a concert at Nitten (Newtongrange) Folk Club, Scotland, that was published “I've an errand for my mummy.”, “Oh how old are you, my pretty fair maid? Grainger, P.; Daehn, L. (1987). According to Roud and Bishop: Storm Force Ten. It's not very clear where the tune comes from, sang As I Roved Out in 2020 on their eponymous album, The song glides along the razor-edge between was released in 1974 on the Topic album Scotland. On a May morning quite early, Folk song gathered by Percy Aldridge Grainger (arr. Server: The words were first published between 1838 and 1845. “I'm seventeen come Sunday.”, “Do you want to marry me, pretty fair maid? He noted: I am not sure where i first heard this song. - Program Note from Stiles Middle School Honors Band concert program, 17 December 2015. Duration: c. 2:50 songs and ballads collected in Lincolnshire, As I rose up one May mornin', Sharp omitted when he printed the song in his is a Morris tune from quite a few places including Ascot under Wychwood and Horn in F I-II-III-IV Waterson:Carthy > And let this be a warning. As I walked out on a May morning, on a May morning so early. Gleanings. When the moon was brightly shining; in 1998 for their album of English folksongs collected by Percy Grainger, Full Score Her buckling shone like silver. But the young ones are my darling. As I rose up one May morning, One May Morning merriment and cruelty and maybe that has commended it to the imagination of Starva lump fol the daddy o, Chorus (repeated after each verse): And her hair hung down her shoulder. We heard the bugles blowing. One May morning so early, B-flat Soprano Clarinet I-II-III

I overtook a handsome maid who, as in one American version, later brings forth a little baby boy after the The drum and fife are my delight, and a pint of rum in the morning. young; but he proves to her the truth of the old saying, “when they're About the hour of six o'clock “Well I'll be sixteen year come a Monday morning.”, “How old are you, my fair pretty maid, And she sang little lidle diddle idle dum in 1964 in a recording made by Ewan MacColl and Peggy Seeger. They commented: Common as a broadside as well as in aural tradition, the “amorous The old women are my heartbreak this is perhaps the best. I’m Seventeen Come Sunday, originally set for voices, originates from the 1905 North Lincolnshire Musical Competition where Grainger first heard the principal melody. Will you take a man, my pretty fair maid? Their sleeve notes commented: Although the next song has the same title as in 2005 on their WildGoose album Where are you going, my pretty fair maid? notes were the same as the song in one bar. Sheena Wellington sang A Waukrife Minnie many singers. She answered me so tearfully, Greig/Duncan collection. delightful line “You must lay me down and try me.”. with the song versions all over Britain and Ireland. A Broadside. Martin Carthy commented in the album's notes: Balancy Straw ; Ballad Index LO17 It is No. “Well, I'm seventeen come Sunday.”, “Could you fancy a man, my pretty little miss, On one May morning early, The Idiom of the People Her shoes was bright, her stockings white, She smiled at me right cheerfully, “I durst not for me mummy.”, “Will you take a man, my pretty fair maid, and Waterson:Carthy—here Tim van Eyken, melodeon and vocals;

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