He would soon give up playing that incessant background theme and he would back off most of the "Murrayspeak" and other silliness as he got more into the new music scene.
AD: Bill Drake's WOR-FM: The History of Rock & Roll. We also get a newscast and Murray the K promoting the station's one-year anniversary concert featuring Janis Ian, The Doors and the Blues Project. This is an extremely rare recording of WOR-FM's second day, in stereo, probably from the afternoon (part 2 definitely begins about 3:40pm).
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But if you listen to this piece of Farber, he makes Rush sound like a bleeding-heart liberal. An ad with the Milton Glaser design promotes the start of WOR-FM the next day. The late Patricia J. Murphy had worked at the FCC and then held legal positions at RKO General and at ABC.
And as you'll hear, he announces the wrong Doors track and then you can hear the level changing on the track as he's probably deciding whether to fade it out or keep playing it. All trademarks and copyrights are the property of their respective owners.Any usage on RadioLineup is protected under the fair use provisions of the law. We will not emulate our friends at WABC and WMCA...”. I thought the pop chart sweep was unnecessary and had little to do with rock & roll, featuring such artists as Dick Haynes, Teresa Brewer, Sarah Vaughn, the McGuire Sisters, Mitch Miller, George Hamilton, Connie Francis, Steve Lawrence, etc., but they probably included it thinking they could get MOR stations to take the show if they did. I think I am done here and the websites here are all the same toBy: phyllis unroch on January 28, 2015. Ugh.) We can see the Drake format taking shape. What's strange here is that I remember Jim O'Brien taking Murray's spot, so it's hard to say exactly what was going on. One of the many unique things that Rosko did that was previously unimaginable on a rock station was to read the poetry of Kahlil Gibran on the air, usually accompanied by sitar music. This is truly a great radio moment and Pete's careful handling of the interview is probably one of the things that led to his career at WNEW-FM. Thanks to Rob Frankel for referring us to this recording. WOR is an AM radio station broadcasting at 710 KHz. This is a more complete aircheck of Murray the K's first show. Note his mentions of other rock music shows on FM -- many have been long forgotten.
An article about how WOR-FM, which had only been on the air for eight months (five months with DJs) had already had influence on creating some hit records. This ad claims that WOR-FM was the #1 FM station in the U.S. (although so was the free-form version).
Note who some of the DJ's were: Issac Hayes weekday mornings and Ashford & Simpson evenings with Roberta Flack doing a short Sunday show. When I first saw this ad on a subway poster, I found it hard to tell from this imaging whether this meant that WOR-FM was going to become a rock station or whether it meant that they would play elevator music versions of rock songs, perhaps because I wasn't able to imagine rock on a commercial FM station (although there was already some rock on Steve Post's and Bob Fass' WBAI shows and Pete Fornatale's show on WFUV as well as other smatterings here and there. Listen to your favorite radio stations at Streema. The radio show can be heard on great talk radio stations all over the country. AIRCHECKS: WOR-FM: Murray the K [scoped], “Hi, everybody, this is Murray the K, remember me?”. The dream of any DJ is to resign on the air and on October 2, 1967, about four weeks less than one year from the day he began, Rosko (Bill Mercer) resigned on the air at WOR-FM. Following that, the announcer describes a contest giving away 10 pairs of tickets to the Beatles concert at Shea Stadium to be held on August 23, 1966, but the deadline for the contest was midnight that night, only the second day on the air. It starts off at about 3:40pm with news headlines, "20-20 News", followed by an announcement about the labor dispute. While Murray's shows on WOR-FM were far different than his shows on WINS (although this particular one doesn't sound all that different), he still stuck by his "Swinging Soiree" branding for his show.
It's since been confirmed that WNEW-FM executives were listening to this show. Live stream plus station schedule and song playlist. Rosko talks about his day at WFUV on his own show in the following airchecks below. There are some tracks that weren't hits, but they're mostly terrible songs. PRESS: WOR-FM's Murray the K to leave station, “...Murray cites frequent hassles over controversial material, and management counters with charges of erratic behavior.”. WOR-FM announces a new logo designed by noted designer Milton Glaser.
It's not necessarily a true representation of what was played because if I already had a track or didn't like a track, I skipped over it, but it still provides some insight into what the pre-jock station sounded like. The only problem is that they also claimed that 93% of the students listened to FM every day which meant that every student who listened to FM had to listen to WOR-FM--not one Columbia student could have been a classical music listener (for example) who never listened to WOR-FM. WOR-FM announces they'll be emphasizing stereo music on FM later in the year.
Plus 100,000 AM/FM radio stations featuring music, news, and … Pepper), Jimi Hendrix (who had just released "Hey Joe" in the U.S.), whether the Beatles would tour again, John Lennon's "the Beatles are bigger than Jesus" remark, whether "Strawberry Fields" or "Penny Lane" was the more interesting side of the single, how the Beatles made Murray the K aware of Bob Dylan in 1964; the Monkees, Cream, The Who, The Four Tops and Janis Ian; the Beatles recording of "Tomorrow Never Knows" and many other topics. Since originally posting this, we've found a bit more of the Rosko aircheck, so we've combined it with Rob Frankel's version. Although better than the first day, production is still pretty rough - you'll hear several cases where the spots come in way too early over the ending of songs, there's one case where the same song is played just a song or two apart (and it's a really awful song) and there's a fair amount of dead air. The two of them are no longer on air and John The Father has departed this world; perhaps for a heavenly borefest? So when Bill Drake was given responsiblity for the programming at WOR-FM, it was not clear to most people what impact that would have on the programming.
In fact, I think John The Father and dear old Lou managed to bore each other on more than one occasion back in the 80s.
An ad claiming that free-form WOR-FM was the number one FM station in the United States. Fantastic!
PRESS: “The Late Lamented WOR-FM” by Murray the K, “People either like me a lot or get uptight just at the mention of my name...”, Murray the K discussing WOR-FM from his perspective along with a soft-touch interview of Murray. The Beatles' Sgt. PRESS: "69 With A Bullet: Pt II" by Richard Goldstein, Richard Goldstein uses "Society's Child" as an example as to why WOR-FM matters, compares the station to top-40 stations and describes how Murray the K has reinvented himself.This article helped to promote WOR-FM to the hipper community in New York. Murray didn't have too much of a career in radio after WOR-FM. Producer extraordinairre Rob Frankel dug into his archive and found these recordings, which he fully restored with music, but as usual, we had to re-scope it to avoid the copyright police.
City of License: New York, NY.
)Gambling, played some music and had some really amusing repartée with Peter Roberts.
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